Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.
Oh, poor Apu!
_Aparajito_ perfectly captures the bittersweet struggle of growing up, a universal experience we can all empathize with. The delicate balance between protecting loved ones and the irresistible urge to break free is at play. Young Apu, brimming with ambitious ideas fueled by his newfound ‘superior’ education, is confident he’s on the fast track to enlightenment. Meanwhile, though heartbroken, his mother clings to her pride as she watches him drift away. This poignant and, at times, exasperating dynamic is a powerful reminder that while we forge ahead, believing we know best, those we leave behind can only hope for a fleeting glance back.
The film is beautifully crafted, quietly profound, and visually poetic. Ray captures life’s tender, fleeting moments with a painterly eye, prompting the audience to reflect on their lives and the significance of these small gestures. It reminds us that sometimes the biggest drama unfolds in the smallest gestures.